Salomé(1923),asilentfilmdirectedbyCharlesBryantandstarringAllaNazimova,isafilmadaptationoftheOscarWildeplayofthesamename.TheplayitselfisalooseretellingofthebiblicalstoryofKingHerodandhisexecutionofJohntheBaptist(here,asinWilde'splay,calledJokaanan)attherequestofhisstepdaughter,Salomé,whomhelustsafter.SaloméisoftencalledoneofthefirstartfilmstobemadeintheU.S.[citationneeded]Thehighlystylizedcostumes,exaggeratedacting(evenfortheperiod),minimalsets,andabsenceofallbutthemostnecessarypropsmakeforascreenimagemuchmorefocusedonatmosphereandonconveyingasenseofthecharacters'individualheighteneddesiresthanonconventionalplotdevelopment.Despitethefilmbeingonlyalittleoveranhourinlengthandhavingnorealactiontospeakof,itcostover$350,000tomake.Allthesetswereconstructedindoorstobeabletohavecompletecontroloverthelighting.Thefilmwasshotcompletelyinblackandwhite,matchingtheillustrationsdonebyAubreyBeardsleyintheprintededitionofWilde'splay.Thecostumes,designedbyNatachaRambova,usedmaterialonlyfromMaisonLewisofParis,suchastherealsilverlaméloinclothswornbytheguards.Nomajorstudiowouldbeassociatedwiththefilm,anditwasyearsafteritscompletionbeforeitwasreleased,byaminorindependentdistributor.ItwasacompletefailureatthetimeandmarkedtheendofNazimova'sproducingcareer.Alongstandingrumor,whichseemstohavestartedwhilethefilmwasstillinproduction,suggeststhatitscastiscomprisedentirelyofgayandbisexualactorsinanhomagetoOscarWilde,asperstarandproducerNazimova'sdemand.Itis,ofcourse,impossibletosay,butoneoftheextrasinSaloméreportedthatanumberofthecastmembers—bothfeaturedandextras—wereindeedgay,butnotanunusualpercentageofthem,andcertainlynotallofthem.WhatcanbesaidisthatNazimovaherselfwasalesbian,thetwoguardcharacters(who,nexttoSalomé,havethemostscreentime)areatleastplayedverystereotypicallygay,andseveralofthefemalecourtiersaremenindrag.Saloméwasscreenedin1989attheNewYorkInternationalFestivalofLesbianandGayfilmsandin1990attheNewYorkGayExperimentalFilmFestival.In2000,theUnitedStatesLibraryofCongressdeemedthefilm"culturallysignificant"andselecteditforpreservationintheNationalFilmRegistry.
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Mannialanck：4。SaloméSalomédanceforme,soshitdancenimeia
钢筋工钢筋：一股cult味，风格很比亚兹莱！服装设计是兰博娃小姐~~（又在默片看到侏儒症患者充当小丑……不是滋味）
玛丽小饼干：那种cult味还真有点意思
有未始有始也者：大概因爲看的時候超不專心,所以沒覺得很好看,説到底這個版本的salome太艷俗了
猫咪建筑师：确实这个莎乐美大部分时候都不是很“魔性女”...倒是那件反色千鸟格的袍子真好看
LoudCrazyHeart：碍于渣画质，没办法看清楚原本的美术功底精细程度。默片依靠强大的背景和夸大特写反而是降低了力量。
曼仔：高度风格化/舞台化。TheProphet的演员选的非常好，苦涩而有基督感。
lxy：BIZARRE@@!!!
咸菜帮老大：戏剧感大于电影感，场景设计、肢体动作开发都不强。
尧谦书：舞美和Nazimova太棒
正在看牡丹：孔雀很美；七层纱好丑；音乐不错，表演不错，人物不行
柯西ξ：还原比亚玆莱
LadyRaven：七纱舞那段略囧
戈尔贡佐拉：虽然是黑白但是比卡尔梅洛拍的梦幻
Lena.Y：youtube上看的。